¥Ö¥í¥°±ÜÍ÷¤ÎÊý¤Ø¡¦Inside KeyºÇ½ÅÍס¦Chord Practice ¡á Quartal Change¡¦Mediants = altered ¡á Rootless Chords ¡Ü Mode Scale Chords = post bop¡¦melodic minor superimposition + Triad pairs = Modal inter change.¡¦´ðÁÃÍýÏÀ¡§AXIS System¡¦±éÁÕË¡¡§Chant Count¡¢Interval

¥ê¥Ç¥£¥¢¥ó¡¦¥¯¥í¥Þ¥Æ¥£¥Ã¥¯¡¦¥³¥ó¥»¥×¥È¡ÊLydian Chromatic Concept¡§LCC¡Ë


LCC¤Ï¼Â¤ÏĶ¹çÍý²½¥¹¥±¡¼¥ë¤Î¤Þ¤È¤á¤È¤·¤Æ³Ð¤¨¤ë¤Ë¤ÏĶÊØÍø¤Ê¥¢¥¤¥Æ¥à¤Ç¤¹£÷
LCC is actually a super convenient item to remember as a summary of the super streamlined scale.

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The V-axis mode is the same.

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It's a rationalization theory for simplifying complex logic.

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It's a very convenient thing, so if you remember it, you can use it perfectly w

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Three super streamlined scales that you won't forget
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1. II Dorian minor Penta Axis: II12456 + Dominant 37
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2. V-mode scale axis: V-Dorian + Phrygian + Super Locrian + V Ionian
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3. Lydian Chromatic Concept (LCC)

https://ja.wikipedia.org/wiki/%E3%83%AA%E3%83%87%E...

http://www.chromatic-metal.com/lydian.html

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Easy LCC basics
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1. Lydian tonic is the Lydian of that Chord.
Lydian tonic = Guide tone 7 = b7, m7 = b3, ¦Õ=b5, b9 = b9
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2. Lydian Chroma Scale with b3+b6+Alpha added to Lydian.
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3. The closer it is inside and Circle of 5th, the farther it is outside.

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It was a really easy and easy-to-understand logic w

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LCC scale
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I don't care about the scale name one by one w
It's troublesome, so I just have to think about LCC scale = Lydian + b3 + b6 + b7.
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How to use is the guide tone axis, the character tone of the Lydian Tonal = Chord Symbol.
7=b7, m7=b3, ¦Õ=b5, b9=b9

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LCC modal shift sound
LCC¤Ï´ðËÜŪ¤Ë¥Ö¥ë¡¼¥¹¤«¤éÇÉÀ¸¹Í»¡¤µ¤ì¤¿¤Î¤À¤È»×¤¤¤Þ¤¹£÷
I think LCC was basically derived from blues w
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I think it's best to think about how to use it with Lydian by moving the position and making it minor. If you shift it, you will also become a melodic minor.
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I will think about shift change on the circle 5th axis. It's really convenient and wonderful w

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